WDIY's Space Music Program airs every Thursday at 11:04 pm.
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Thomas Park has been involved with music for his entire life. He was
trained in classical and jazz music as a teenager and played the
trombone and piano. His listening habits changed in the late 1980s
when Thomas became interested in electronic music. After several years
of writing techno as the band AutoCad, Thomas was fortunate enough to
collaborate with Robin Storey of Rapoon. This project helped Thomas
to evolve into the ambient / drone band Mystified. Mystified has
found considerable success, both through online and physical releases,
and is known for being proficient, creative and prolific.
The music of Mystified is mainly of an atmospheric nature. Sometimes for Thomas, less is more, making his music ideal for listening while working, sleeping or doing other things. The music of Mystified especially explores texture, consistency, and a type of variety that could be called subtle. This is not the utopian ambient of the typical soundscape artist. It is serious music for serious people. Mystified music has found many purposes, including scores for films, online and terrestrial radio shows, festivals of aesthetic, political, and other varieties, informational CD-ROMs, spots on many scores of compilations, and quite a few independent releases. Mister Vapor, a newer incarnation of Thomas Park, focuses especially on the hazier, foggier sides of ambient music. Thomas is open for collaboration. |
| Date | Title | Label |
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| 01/03 | Tribute To Forbidden Planet | Roil Noise |
| 01/10 | Flickering Fuel | Dark Meadow Recordings |
| 01/17 | Coming Days | Attenuation Circuit |
| 01/24 | Life Is a Carnival | Attenuation Circuit |
| 01/31 | Breathe Beyond | Parkbench |
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Joint Intelligence Committee is Paul Nagle and Phil Smillie. The bio
that follows was excellently written by Paul, inspired, in part by coffee... and there are no typos! "He just wrote it like that." - It's Only a Northern Song - George Harrison "The Joint Intelligence Committee are not to be confused with, although they frequently are. Formed after a fortuitous meeting of minds at an online synth forum, JIC consists of two full time committee members and a nebulous pool of special agents providing a variety of skills and fieldcraft. The JIC exists to provide an outlet for their groovily improvised and experimentally ambient musical noodles. The JIC motto is effectus super absolutionem which, as all you latin scholars know instantly, means performance above perfection. Sums it up nicely... Paul played his first solo gig in 1983 but for years remained in a rather serious, teutonic vein of doomy electronica as heard in such bands as Tangerine Dream. Fortunately, Paul met up with Phil Smillie and finally learned how to lighten up and party. As is typical with most late converts to anything, he threw himself into this with gusto, keen to make up for lost time. Paul writes gear reviews for Sound On Sound magazine and has programmed synthesizer patches for Roland, DSI, Access and others. Mostly he just likes to play. On his recent musical road to Damascus, Phil rediscovered his guitar and the joys of realtime looping, met Paul Nagle and realised that making music is so much more fun when computers aren't involved. Phil's other - more production-oriented - projects include psychedelic trance combo Cerebellum and its ambient techno offshoot, Drug Squid. JIC have performed at festivals, parties and planetarums, even though planetaria seem like where they should have been. That old latin obsession never quite dies eh? They like the dark, stars and space, them JIC boys. We don't know when or where their next performance will be. They don't either. They don't know much. But fortunately put them in a room with musical instruments and a good supply of Longbottom Leaf and magic will be spontaneously created. This is as deep as I can go without some oaths of fealty signed in jam." Paul has been a Special Focus on Galactic Travels before: |
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You can also visit the artist on these social networks:
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| Date | Title |
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| 02/07 | Grow |
| 02/14 | In Session (AM Mix) |
| 02/21 | Excession |
| 02/28 | The Book of Roach |
| All albums are on Bogus Focus Records. | |
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As a pioneering cornerstone of electronic music, internationally
renowned artist Steve Roach has dedicated over three decades to
exploring uncharted soundworlds that connect with a timeless source
of inspiration. From the expansive, time-suspending spaces
reflecting his spiritual home in Arizona to the fire breathing,
rhythmic-shamanic expressions woven from all things electric and
organic, Roach has earned his position in the international pantheon
of major new music artists through a long list of groundbreaking
recordings, fueled by his prolific nature and uncompromising
approach. The core of this innovative world of sound has been
nourished by years of intense live concerts in many extraordinary
settings worldwide, further enhancing the emotive, cinematic
soul-stirring depth of his music.
Click on the name or photo above to go to the artist's web site. Steve has been a Special Focus on Galactic Travels before:
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| Date | Title | Label |
|---|---|---|
| 03/07 | Soul Tones | Timeroom Editions |
| 03/14 | Sigh of Ages | Projekt |
| 03/21 | Journey of One - disk 1 | Projekt |
| 03/28 | Journey of One - disk 2 | Projekt |
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Born August 28, 1972 in Cedar Grove, New Jersey, Ken Elkinson
competed on the junior classical piano circuit as a child. After
studying improvisation and composition throughout high school and
college, Ken released his debut CD in 1996, "Midnight
Conversation" of solo piano music. Four additional
original solo piano CDs (Reverly, Opal, Cue and Link), a Christmas
piano CD (Generations of Yuletide), a CD of piano cover songs (Borrowed
Tracks), a jazz funk CD (7890) and an Asian influenced spa CD
(Eastern Spa) have followed. In 2011 Ken switched his focus to ambient and
released a six CD box set of ambient music entitled
Music For Commuting. That was followed by another four ambient CD set
(Elemental) and now Music For Telecommuting Volumes 1 and
2 culled from tracks recorded during the Music For Commuting sessions
in the vain of Brian Eno and Tangerine Dream. Ken’s music has received
airplay on hundreds of radio stations, websites, satellite music
and in-flight audio programs spanning the globe.
Click on the name or photo above to go to the artist's web site. |
You can visit the artist on these social networks:
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| Date | Title |
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| 04/04 | Music for Commuting Volumes 1 - 2 |
| 04/11 | Music for Commuting Volumes 3 - 4 |
| 04/18 | Music for Commuting Volumes 5 - 6 |
| 04/25 | Music for Telecommuting Volumes 1 - 2 |
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Radio Massacre International members include Steve Dinsdale (Keyboards, Electronics,
Drums) Duncan Goddard (Keyboards, Electronics, Bass) and Gary Houghton
(Guitar, Keyboards). Since 1993 they have been building a catalogue of
epic electronic improvisations, distilled into permanent records by the
wonders of digital editing.
After accumulating a library of 30 such pieces they finally released the double CD Frozen North in late 1995, and appeared live for the first time at the Emma festival in Sheffield. The band was also featured on the BBC's World Service, thus finding a truly international radio audience for the first time. RMI had a website long before it was obligatory, and this has enabled the forging of relationships with listeners, promoters and radio stations across the world. RMI are veterans of TV, radio, and concert performances all over the UK, Europe, and the US. Click on the name or photo above to go to the artist's web site. RMI have been a Special Focus on Galactic Travels before: |
You can visit the artist on these social networks:
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| Date | Title |
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| 05/02 | Solid States disk 1, West |
| 05/09 | Planets in the Wires |
| 05/16 | Solid States disk 2, East |
| 05/23 | Lost in Transit 5 |
| 05/30 | Lost in Transit 6 |
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Andy Condon lives in the wilds of north Essex, UK, and has worked as
The Glimmer Room since the turn of the century. He has left the live
music scene, having grown tired of all the travelling and general
upheaval life in a busy band entails. He retreated into the safety of
the studio where he worked as part of a short-lived experimental dance
collective called Neesh.
A track on the Neesh album, sandwiched between all the 909 rhythms and thumping 303 bass lines, was a small track called Still Waters. This down-tempo piece was a turning point for Andy. With the end of Neesh, the start of The Glimmer Room became reality as Andy had finally found his true path in a mode of music he wanted to explore more deeply. That was early 1997. Five years later, the first Glimmer Room album was released on NeuHarmony garnering comparisons to Moby, Enigma, and Mike Oldfield. In 2004. Andy formed his own label, A-frame Media. Many releases later, Andy retired this label and started The Silent Rookery in 2013. With each new release, Andy forges new sound territory and production techniqes. Andy is a veteran of the Alpha Centuri electronic music festival in Holland and the Awakenings series of concerts in the UK. Click on the name or photo above to go to the artist's web site. |
You can visit the artist on these social networks:
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| Date | Title | Label |
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| 06/06 | Tomorrow's Tuesday | NeuHarmony |
| 06/13 | Now We Are Six | A-Frame Media |
| 06/20 | Home Without the Journey | A-Frame Media |
| 06/27 | I Remain | A-Frame Media |
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is on these social networks:
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